Latticed Eye of Memory
21O2
32O x 12O x 9O cm
Lost in Lace Exhibition Birmingham Museum
2O11-2O12
Curated by Leslie Miller
This piece has dual facing sides- one lighter in tone and the other darker. Suspended in free space, and viewed in the round, both light and dark aspects of the piece are visible.
Latticed Eye of Memory, dark aspect.
2102
32O x 12O x 90 cm
Lost in Lace Exhibition Birmingham Museum
2O11-2O12
Curated by Leslie Miller
This piece has dual facing sides- one lighter in tone and the other darker. Suspended in free space, and viewed in the round, both light and dark aspects of the piece are visible.
+ read more
Latticed Eye of Memory, dark aspect.
21O2
32O x 12O x 9O cm
Lost in Lace Exhibition Birmingham Museum
2O11-2O12
Curated by Leslie Miller
This piece has dual facing sides- one lighter in tone and the other darker. Suspended in free space, and viewed in the round, both light and dark aspects of the piece are visible.
+ read moreLatticed Eye of Memory
21O2
32O x 12O x 9O cm
Lost in Lace Exhibition Birmingham Museum
2O11-2O12
Curated by Leslie Miller
This piece has dual facing sides- one lighter in tone and the other darker. Suspended in free space, and viewed in the round, both light and dark aspects of the piece are visible.
Latticed Eye of Memory, detail.
21O2
32O x 12O x 9O cm
Lost in Lace Exhibition Birmingham Museum
2O11-2O12
Curated by Leslie Miller
This piece has dual facing sides- one lighter in tone and the other darker. Suspended in free space, and viewed in the round, both light and dark aspects of the piece are visible.
Latticed Eye of Memory
21O2
32O x 12O x 9O cm
Lost in Lace Exhibition Birmingham Museum
2O11-2O12
Curated by Leslie Miller
This piece has dual facing sides- one lighter in tone and the other darker. Suspended in free space, and viewed in the round, both light and dark aspects of the piece are visible.
+ read more“I try to represent in my work the fact that memories are not solid, they can go forward as well as backwards and can even be made up as you go along.
They are unstable, untrustworthy; it can be hard to separate your own memory from a memory that you have been told about.
We usually consider memories to be real. But are they constructions that we fabricate by embellishing one layer of memory on top of another? Is what we remember a true reflection of the original experience or is it a distortion? Are memories constructed truths?”